Bad Things Happened in This Room cover

Bad Things Happened in This Room

by Marie Still

3.39 Goodreads
(636 ratings)

Why You'll Love This

The house has messages carved into the walls — and Willow isn't sure if she put them there.

  • Great if you want: unreliable narrators, domestic horror, and creeping psychological unease
  • The experience: claustrophobic and disorienting — reality shifts without warning
  • The writing: Still leans into fragmented perception to blur captivity and madness deliberately
  • Skip if: ambiguous endings and unresolved tension frustrate you

About This Book

Some houses hold their secrets in the walls. In Marie Still's psychological thriller, Willow Hawthorne lives inside one of them — a home where the days blur together, the rules are her husband's, and reality has become something she can no longer fully trust. Is she a prisoner of the life around her, or of the fractures forming within her own mind? When a young girl named Sarah begins appearing in the garden, Willow finds herself grasping for something solid — a connection, a way out, the truth. The stakes here are intimate and suffocating: not a race against a killer, but a woman fighting to know what is actually real.

Still writes with controlled unease, building dread through accumulation rather than shock. The prose mirrors Willow's fractured perception — precise in some moments, slippery in others — so readers experience the disorientation rather than simply observing it. The structure keeps you perpetually uncertain whether the horror is external or internal, which is exactly where the book wants you. It rewards close reading and patience, delivering its revelations not as twists but as slow, unsettling recognitions.