Even the Good Girls Will Cry cover

Even the Good Girls Will Cry

by Melissa Auf der Maur

4.49 Goodreads
(144 ratings)

Why You'll Love This

A fan letter to a P.O. box landed her in Hole — and that's barely the first chapter.

  • Great if you want: an insider's view of 90s alt-rock's chaotic, grief-soaked peak
  • The experience: propulsive and intimate — reads like a confidential told without hesitation
  • The writing: grounded and candid, with a diarist's eye for telling, unglamorous detail
  • Skip if: you want distance or objectivity — this is entirely her perspective

About This Book

There are rock memoirs, and then there are books that pull you so deep into a particular world and moment that you emerge from them slightly changed. Melissa Auf der Maur's story begins with a thrown beer bottle and a fan letter — and somehow that's the least improbable thing in it. From landing in the orbit of the Smashing Pumpkins to stepping into Hole at one of the most turbulent, grief-saturated moments in 1990s music, she moved through an era defined by creative intensity and genuine danger with both clear eyes and an open heart. The stakes here aren't just personal; they're a portrait of what it cost — and meant — to be young and serious and female in alternative rock before everything became content.

What distinguishes this book is how Auf der Maur writes: with the specificity of someone who kept paying attention when others were looking away. The prose carries the texture of the analogue world she inhabited — tactile, unhurried, honest about ambivalence. Rather than settling into the familiar rise-and-fall arc of the genre, the book accumulates meaning sideways, through relationships and cities and small charged details that gradually reveal a larger portrait of an artist finding her own shape inside someone else's story.