The Lady of the Rivers

Jacquetta of Luxembourg stands at the center of one of history's most turbulent courts — a noblewoman who moves between the crumbling Plantagenet dynasty and the chaos of the Wars of the Roses, guided by whispered prophecies and a gift for seeing what others cannot. Gregory takes a woman history largely overlooked and places her exactly where the power shifted, the alliances broke, and the crowns changed hands. Her choice to marry for love rather than politics sets everything in motion, and the consequences ripple across decades of English history with a weight that feels entirely personal.

Gregory writes Jacquetta from the inside out — her uncertainty, her grief, her stubborn conviction — which gives the novel an intimacy that denser historical fiction often sacrifices for spectacle. The prose is direct and propulsive, moving between court ceremony and battlefield aftermath without losing the domestic texture that makes the period feel lived-in rather than costumed. What distinguishes this entry in the series is how Gregory balances the mystical thread — Jacquetta's inherited touch of the second sight — against the hard political realities bearing down on her, keeping both strands credible and tightly wound.