The Name of the Rose cover

The Name of the Rose

by Umberto Eco, William Weaver - translator

Narrated by Sean Barrett, Neville Jason, Nicholas Rowe

4.18 ABR Score (400.9K ratings)
★ 4.14 Goodreads (398.1K) ★ 4.36 Audible (2.8K)
21h 5m Released 2013 Historical Fiction

Why Listen to This Audiobook?

A medieval monk solving murders in a labyrinthine library sounds niche — until you're three hours in and genuinely can't stop.

  • Great if you want: philosophy, theology, and murder braided into one
  • Listening experience: dense and cerebral — rewards patience, not background listening
  • Narration: Sean Barrett anchors the complex Latin-heavy text with authority
  • Skip if: extended theological debate makes you restless

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About This Audiobook

Medieval Italy becomes the backdrop for an extraordinary collision of faith, reason, and murder when Franciscan friar William of Baskerville arrives at a remote Benedictine abbey in 1327. Accompanied by his young novice Adso, William finds himself investigating a series of brutal deaths that plague the monastery's legendary library. As bodies accumulate within the abbey's walls, the detective monk must navigate treacherous religious politics, ancient heresies, and the labyrinthine secrets of one of Christianity's most important repositories of knowledge. The investigation unfolds against the volatile backdrop of papal schism and inquisitorial terror.

The three-narrator approach elevates this complex medieval mystery into an immersive theatrical experience. Sean Barrett, Neville Jason, and Nicholas Rowe bring distinct voices to Eco's rich cast of monks, scholars, and heretics, allowing listeners to easily follow the intricate philosophical debates and theological arguments that drive the plot. Their measured pacing honors both the contemplative monastery setting and the mounting suspense of the murder investigation. The audio format particularly suits Eco's dense, scholarly prose, transforming what might be challenging textual passages into flowing narrative that captures both the period's intellectual ferment and the story's underlying menace.